How would you describe your work?
My style is the result of a lifetime of exploration into my craft. I started with a representational style in watercolor to representational with a twist, now in oils. It’s a juxtaposition of abstracted images together with natural subject matter. I love the response from others who can see and experience what I create intuitively. “…I am most in love with your pieces which feature the birds, fish and the beautifully broken backgrounds. I love the mix of realistic looking creatures with stylized fancifulness. So dreamy,” said Shanny Brooke, Higher Art-Michigan. I want to avoid being predictable. There’s a saying “It’s not WHAT you paint, but HOW.” It’s more about the “how” for me.
Which other artists most inspired you?
I would have to say Vincent Van Gogh. There is a quote of his that states: “If you hear a voice within you say ‘you cannot paint’ then by all means paint, and that voice will be silenced.” Those words gave me the confidence and inspiration to forge ahead in my creative pursuit. Years later, I was able to visit his home in Arles, France as well as the asylum where he lived. His whole short life story is incredible to me.
Where do you find your best sources for inspiration?
“What lies beneath” is what inspires me now. As I’m painting, I like to leave a little of the blueprint showing through…a little of the process revealed. It creates mystery and makes the viewer curious enough to stay a few minutes more. When I feel stuck or in need of inspiration, I’ll go to a favorite home furnishing store or peruse a design magazine. I’m always inspired by the use of color, fabric patterns and all that goes into designing a beautiful room. And, of course, nature, oceans, mountains, trees and flowers.
What is the greatest compliment you’ve received about your work?
Well, it’s a tie! A few years ago, my gallery director called me to say that a certain painting had sold. She told me that as she watched the person walk by my piece, she saw her stop and stumble backward! That person said “I don’t need another painting, but I’ve got to have this one!” Another time, a collector came into my studio to pick up her painting and, when saw it, she clasped her heart and sighed and stared with quiet happiness. I want people to feel a connection to their soul. I am always amazed and humbled when this happens.
What are you working on now that you are excited about?
I’ve discovered a new book that has inspired me to look deeper into color relationships, so my next paintings will hopefully reflect that. Also, I’m working with a new nonprofit organization called ArtShare Charlotte, where artists donate a commissioned piece of original art to people who live in homes built by Habitat for Humanity. The purpose being to build bridges in our communities through creativity. I’ve recently met with my first family and am thrilled to be part of this outreach.
What is one piece of creative advice you wish you had learned sooner?
It’s good to learn all the classic techniques and foundations, but it’s also good to fearlessly set them aside. Deconstructing is part of the process. Imperfect is perfect. A little imperfection invites us to relax and relate.
To learn more about Marlise and see additional examples of her work, visit her website at marlisenewmanfineart.com. Her most up-to-date works are on Instagram @marlisenewmanart. Her work is also in Art & Light Gallery in Greenville, SC, Shain Gallery in Charlotte, NC, and Guest Artist at Gallery Orange in New Orleans, LA. Marlise’s limited retrospective landscapes are shown at Juelerye in Mooresville, NC, and her working studio is at 500 S. Main Street in Mooresville.
